Anno Domini // the second coming of Art & Design


Current exhibit

Anno Domini // the second coming of Art & Design
is proud to present...

galleryONE: MASCOT, Navin Norling (GA) solo exhibition


Navin  Norling

“I create work that is made from remnants of lives once lived and the people who have gone me.”

 In his ongoing practice, Navin June Norling (b. 1970) examines classic Americana imagery and assembles miscellanea out of popular culture signifiers, sayings, folklore, and materialism.

During his upbringing, Norling would spend summers on his grandfather’s farm in California’s Central Valley, where all resources were reused without any waste. The impact of that rural setting led him to embrace salvaged components and eventually integrate assemblage and bricolage techniques into his formal training as a painter. But apart from those summers, Norling grew up in suburban California and spent his youth in wild exploration across the Bay Area; part of a generation committed to establishing a personal aesthetic framework, whether in the use of graffiti monikers or wheat paste messaging. He has been vicariously loyal to that urban grit and has maintained a street palette in his work.

The use of found objects and urban detritus plays a large part in his continued investigation of a dynamic American cultural landscape and its sociopolitical nuances. Cast-off wood frequently makes an appearance in the artist’s work, like the window panes in Good to the Last Drop (2005) presented at Sculpture Center in New York and in Black Cats (2003), held in the contemporary art collection of the Brooklyn Museum.

In 1995, he received a BFA in illustration from the California College of the Arts. It was here that he first encountered Raymond Saunders, who studied the collage process further reaffirmed his commitment to the found object. He later moved to New York in the early 1990s and received an MFA in fine arts from Hunter College in 2002. This shifting inhabitance across rural, suburban, and urban landscapes continues to shape his long-running survey of the country. More than that, the changes in scenery helped him develop a cheeky lexicon in addressing national issues of power, class, geography, capitalism, and inequality – a sense of humor accessible to varying demographic groups, each with their unique set of sensibilities.

His body of work encompasses paintings, sculptural objects, and installations. melanges of cacophonous iconographies developed from urban graffiti and pop imagery. In his recent work and as an extension of his exploration of bricolage, the artist has been employing a stacking technique to unite disparate, totemic fragments – modular and self-contained – that, when put together, plot out an ambitious, cohesive genealogy of collective Americana chronicles.

Norling lives and works in Atlanta, GA. He is currently a professor of foundation studies at the Savannah College of Art and Design.

MASCOT is Norling’s second solo exhibit at Anno Domini.


Artist's reception: First Friday February 3rd, 5–9pm
Exhibition dates: February 3-April 15, 2023

Gallery hours:
Thursdays & *Fridays Noon–7pm, (*First Fridays 5-9pm)
Saturdays Noon–5pm

Please email with inquiries: rEvolution [at]

Upcoming exhibit

Anno Domini // the second coming of Art & Design
is proud to present...

galleryTWO: Illuminate the Wolves:
A Tribute to the Life and Work of Zack Luchetti (1973–2021)


Zach Luchetti

Zack Luchetti was a master of wordplay and irony, his philosophical musings lent delight and play to works that ranged from comics to portraits, commercial art to folkloric dreamscapes, musings on nature, journeys with his best amigos, to mythological references and always, to his Christian faith. This show came to life because of his sad and unexpected death to cancer, leaving a legacy of thought and image as vivid as his presence.

Zack grew up in Oakland, CA, one of three brothers. As oldest and soon to become the tallest (6’4”) he assumed creative leadership of the trio, as well as of the neighborhood gang of friends. Everything flowed from his imagination—early stories (he wrote his first book at age 9) films, plays. A voracious reader, he absorbed folklore and myth, tracking Bigfoot and the Yeti through references and his own drawings. A dreamer, he and his classmates threw message bottles into the California current to see how far they would go. Most were swept ashore within weeks, but two years later, Zack’s ended up in the Canary Islands. His teacher’s comment: “If anyone’s bottle could cross two oceans, it would be Zack’s.“

Always sketching, he began painting at home on the back of his bedroom door. Then scenes on the walls, Finally, a 10ft. by 20-ft. mural of a huge, hairy mammoth on the dining room wall, which still remains, the first of many murals he would create. He had early exposure to art – his father painted, his mother wrote books, photographed and painted, and his grandmother was a painter. Once a year they created “The Art House” out of the family home, where 15 or so artists would show their work, with food and live music.

Travel drew him to Alaska, Peru, Nepal, Mexico, Vietnam, Ireland and Greece. He sketched constantly, preferring life drawing to using photographs. In every country, he could be found surrounded by locals—often children—watching him at work.

His brother remembers him walking 20-ft ahead of the meter maid on College Svenue with a roll of dimes, putting money in the meters about to be ticketed. Zack had a kind, loving heart. He wrote about his quest for a “clean, sane heart.”

His influences were many. He credits Barron Storey of San Jose State with showing him image making, and introducing him to the work of Max Ernst, by which he learned how figures could interconnect. He studied with Glenn Hirsch and Leroy Parker, and more. He developed his drawing skills, learned to collage different xerox drawings into compositions, studied computer programs, painted murals, but always returned to life drawing. As a teacher, he took one position teaching ceramics, which he had only a few weeks to learn. He always accepted a challenge, including the martial arts studies of Tai Chi, Xing Y, Shaolin Kung Fu and Chi Gong. He often created with his brother JJ, with his friends Sonny and Django, and with brother Micah.

His art muses included Frank Fazzetta, Moebus, Dore, Posada, Escher, the Brothers Hilldebrand, Frank Miller, Hap Kliban, Archimboldo, Thiebaud, Caravaggio, Bernini, Leonardo, Fra Angelico, NC Wyeth, Pyle, Gaudi, Dali, Magritte, Winslow Homer, Hieronymous Bosh and R.C. Crumb. He also studied stoic philosophy, Epictetus and Marcus Aurelius. He read C.S. Lewis, Irish mythology, Meister Eckhart and William Blake. He read and studied Jung, charting dreams that he would turn into images. Always drawn to books, he began creating his own in the form of zines, called his “dreamic books.” He published 20 of them, each featuring a segment of Zack’s own adventures. He was the lead character, the “Young Hero” who followed an endless road that stretched across California, connecting to all the places of childhood and youthful memory.

“I am grateful to have grown up in a time where reading and art could come together with the stillness that allows imagination to develop.” ~Zack Luchetti

Luchetti accomplished a diverse portfolio of drawings, paintings, commissioned murals and illustrations for print publications. His illustrations have been featured in the Seymour Pioneer Museum, published in Conquer Magazine, and on the back cover of Urban View magazine. His mural work was featured in prominent locations such as the SF Public Library main branch, Alameda Naval Air Museum, California State University and the Mercedes Edwards Theater.

His personal work has been exhibited in a variety of alternative spaces, galleries and museums including the SOMARTS Cultural Center, Southern Exposure Gallery, SF Museum of Modern Art, Museum of Children’s Art Oakland, Fresno Museum of Art and in The White House, Washington D.C.

Luchetti received his BS in Graphic Arts and Illustration from San Jose State University in 1998 and later went on to earn his MA in Teaching Credential in Art from California State University, Hayward, CA.


Opening reception: March 3, 2023 from 5-9pm
Exhibition dates: March 3–April 15, 2023

Gallery hours:
Thursdays & *Fridays Noon–7pm, (*First Fridays 5-9pm)
Saturdays Noon–5pm

Please email with inquiries: rEvolution [at]


Anno Domini // the second coming of Art & Design
366 So. First Street map
San Jose, CA 95113

Gallery Hours:
Thursdays & *Fridays Noon–7pm, (*First Fridays 5-9pm)
Saturdays Noon–5pm
Free Admission

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February 3, 2023
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